WOMEN'S HALLOWEEN COSTUMES: NON-SEXY NEED NOT APPLY

 For most horror fanatics, Halloween is the most exciting part of our entire year.  For one night, it becomes socially acceptable for us to show off our nerd prowess without fear of judgement.  Now, of course I understand that we are all proud of our geekery year round, but the general populous is less likely to look down upon us around the witching hour.  It also shouldn't matter what the general public has to say about us, but for the sake of argument, let us all just accept the fact that we're more welcome to be spooky this time of year in contrast to say, Easter.  Moving on.  Halloween is a time of tricks, treats, and dressing up as whoever or whatever we please.  The weird thing, is that for women, we are forced to be whatever or whoever we please...within a very specific constraint.  Provocative. Before I even get into this argument, know that I am a HUGE advocate against Slut-Shaming.  If someone wants to dress a certain way, more power to them, this argument is not against women who choose to dress provocatively, it is an argument against perpetuating objectification for no other reason than to excuse objectification with a holiday "tradition".

Without divulging into the history of Halloween and all that jazz, in the western world it is generally accepted as a time of year where individuals dress up in costumes, throw parties, carve pumpkins, and eat an unmeasurable amount of sugar.  Costumes can range from common professions, beloved characters, super heroes, monsters, and of course, sexual fantasies.  Over the past few years, an unsettling trend of women's costumes has grown to a near epidemic status.  It would appear that for a woman to have a socially acceptable Halloween costume, she must wear one in a manner as provocative as humanly possible.  Again, let me emphasize that I have no issue with what a woman chooses to or to not wear.  However, when I walk into a Halloween costume emporium and have to choose between something baring my midriff, something baring my chest, or something so short I'd show my whispering eye if I sneezed, that is a sign of a problem.  The issue here isn't that women are dressing provocatively, the issue is that it would appear that highly sexualized costumes are our only option.  Perhaps worse is the fact that this idea has been so engrained into our skulls, women are starting to believe that it really is our only option.  Are there exceptions to this rule? Of course.  Unfortunately, exceptions are in the vast minority.  

It is true that men and women's clothing must be tailored differently simply because we're built differently. (See: Boobs and Hips)  However, please look at this photo above.  The costume to the left is a familiar Michael Myers costume inspired by the Halloween series.  The costume to the right?  The female version of the same costume.  Seriously. That's supposed to be a Michael Myers costume.  If you look, you'll notice an absence of a mask, a tighter fitting form, a more revealing top towards the breasts, and a set of "fuck-me" pumps.  I don't know about you, but I'm pretty sure Laurie Strode could have knocked the block off of "Michelle Myers".  The first image showcased in this article is the increasingly popular "Mrs. Krueger" costume, the female counterpart of Freddy.  I will admit that this is a costume that particularly tickles my fancy, but seriously...Freddy wore pants.  Freddy also had a face burned to all Holy Hell.  Of course, the woman couldn't have burns though, no.  Then no one would want to get her in the sack.

Perhaps the most alarming aspect of women's Halloween costume is how early the sexualization begins.  I won't even post some of the ridiculous things posted about children's costuming, but please read above the description of a "teen" costume.  Teen as in "more than likely too young to consent to sex".  The description says "...whimsical and girly but you are all grown up now so why not find out if big boys like to play with dolls!" Um. What? This sounds like something out of a kiddie-porn chat session. Remember, this costume is geared towards girls between the ages of 13-18, geared towards women who can't vote or in some instances drive or see an R-Rated movie without the help of mom and dad...AND THEY'RE TRYING TO MAKE THAT SEXY!? The most screwed up part about all of this is that we are still living in a country where lawyers will ask rape victims what they were wearing and yet women are still expected to dress like this on Halloween.  ARE YOU KIDDING ME?!

I'll admit that I'm guilty of dressing "slutty" on Halloween. I always do. I'm 22 years old and I am at college. However, instead of being a half naked "insert profession or object or character" here, I find a way to show of my horror chops as well.  Since starting college I've been a female Ash (complete with chainsaw arm), a Silent Hill nurse, a broken doll, and this year I'll be going as Laurie from Trick R Treat.  All of these costumes, I've had to make myself.  Why? Because not only is it next to impossible to find horror nerd costumes for a girl that aren't the ones featured above,but to find a costume in plus size? Get outta here...

"BUT MEN ARE OBJECTIFIED TOO!" You may cry. No. No they are not. Stop right there. You're wrong. Yes, there will be some skimpy and/or tight fitting costumes here and there, but NOT many.  Seriously, I could count on my fingers how many "sexualized" male costumes there were.  Hell, even the ones that are there are clearly for the empowerment of the man and not for the female gaze. The “sexy” costumes will either be ridiculously jokey with some sort of visual reference to a penis on the exterior of the costume, OR nothing special. Many of the "sexy" male costumes are just different colored boxers, sometimes with a set of suspenders.  The costume to the right is meant to be funny.  There's a reason the "Dick In A Box" video got so many hits, and it's not because it was sexually appealing to see Andy Sandburg gift wrap his johnson.  Of course I'm not saying that men aren't objectified at times, but in the world of Halloween costumes, men can do whatever they want, but if a woman doesn't dress completely risque, she's "doing it wrong".  This is a huge problem and unfortunately, because we keep dishing out the dough for these costumes, it's a problem that isn't going to be resolved anytime soon.

I cannot stress again that I have no qualms with women who decide to dress sexy for Halloween, I do it, I love to do it. It makes me feel good about myself. The problem is that women aren't allowed to make that decision.  Dressing sexy is our only option. Unless we make a costume by hand or forego the costumes all together and wear street clothes, women are forced to pick through the aisles of costumes with hemlines growing shorter and tops squeezing tighter.  We need options, we need choices, and unfortunately for us, the only decisions we get to make in Halloween costume selection is whether or not we're showing leg or breast this season.

JOSHUA HOFFINE JOINS FORCES WITH VISCERA FILM FESTIVAL

Joshua Hoffine is the man behind the lens of some of the most horrific photographs in recent history.  Taking inspirations from his grotesquely gorgeous photography from childhood nightmares, skinned corpses, H.P. Lovecraft, Jack the Ripper, and supernatural urban legends, Hoffine has recently teamed up with the Viscera Film Festival to create an aura all its own. 

FROM THE PRESS RELEASE: Viscera’s Founder and Chief Officer of Operations, Shannon Lark, explains: “We went with Hoffine's work to represent the Viscera Film Festival this year because his photography captures an eerie beauty, conjuring a nostalgic feeling of horror that hits the human psyche with memories of childhood fears and reminds us of how deeply moving and vital the genre is for humans to express and share.
The Viscera Organization's festivals exploit the terrifying, the thrilling, and the fantastic with a vivid landscape of genre films by women. Hoffine's depiction of the body, the soul, and the monstrosity of the imagination completely resonates with the mind blowing work by female filmmakers who participate in the Viscera Film Festival.”
And what about that ghoulish woman lying among roses? “Persephone was a nature goddess who became Queen of the Underworld after being abducted by Hades. The myth of her abduction represents her role as the personification of vegetation – which shoots forth in spring and withdraws into the earth in autumn.  When she is in the Underworld we experience winter.  And when she visits the world she brings with her spring, flowers, and the resurrection of life. As both a Goddess of Spring, and the Queen of the Underworld – she exemplifies the tension between life and death,” Hoffine states. “As for Viscera, I proudly support emerging women filmmakers in the horror genre.”
About the Viscera Film Festival and Viscera Organization:

The Viscera Film Festival was created in 2007 by Shannon Lark to encourage and promote the work of women horror filmmakers. The fest has grown each year, morphing into a 501(c)3 non-profit organization with an ever-expanding, dynamic staff of men and women who eat, sleep, and breathe genre cinema. Beginning as a touring festival, Viscera has become a highly anticipated genre event in Los Angeles, complete with red carpet (what we affectionately refer to as the “Bloody Carpet”), celebrity guests, and a raucous after-party. 2012 marked the third annual Bloody Carpet event in Los Angeles at the Egyptian Theatre. Viscera’s tentacles have encircled the globe and films programmed at the festival have screened all over the world. 
The call for submissions for Viscera’s 2013 festival is open through February 28, 2013 (culminating in Women in Horror Month), accepting digital submissions only. Unlike most festivals, Viscera does not charge submission fees. Filmmakers interested in submitting should head to the Submissions tab of the main website, www.viscerafilmfestival.com.

STRANGE KIDS CLUB RELEASES ART PRINTS FOR FAMOUS HORROR SEQUELS (that should have happened)

Artwork by Nathan Thomas Milliner. 18″x24″ digital print. Hand numbered. Edition of 100.

As much as we'd all like to think that each and every horror film is made with the hopes of moving forward a storyline, or giving new life to the world of the film.  Unfortunately, most of the time, it's all about making money.  There's a reason we keep seeing Wrong Turn 525600 being made while incredible films more deserving of advancements in plot are left to sit and collect dust.  Luckily, Rondal Scott and the folks over at Strange Kids Club have found a fantastic way to give our little fanhearts something we've always dreamed of, but also given a way for you to hold on to a piece of would-be horror history.

Strange Kids Club is very excited to announce their latest project, kicking off this October with the release of its collector’s art print series based on horror sequels that don’t, but certainly should, exist. The series will include three prints, each brought to life by a different artist. The first poster in the series, “The Burning 2” by artist Nathan Thomas Milliner was unveiled this morning and will be made available for purchase on Strange Kids Club today, Thursday, October 4th at 9:30am.

Click the poster above or right HERE to get your hands on your copy, today!

PLEASE NOTE: These posters will be on pre-order, so please allow approximately 5 to 6 weeks for poster to ship. Actual shipping transit time (once your order has been shipped) will vary based on your location.

WILL HD BE THE DEATH OF PRACTICAL FX?

Before I continue any further with this article, let it be known that I am in no way an AV expert, nor have I ever claimed to be one.  I DO NOT KNOW THE PROPER TERMINOLOGY FOR ANY OF THIS HD/LCD/FPS/OPP NONSENSE.  I do, however, know when something looks like garbage. This article is a reflection of an opinion gathered by my own personal experiences. 

 

In the wake of the uproar tied to The Hobbit's release trailer in 48fps (frames per second), fans and critics have been in a constant debate on whether or not this sort of filmmaking is necessary.  Some are claiming that this is the way of the future, that we need to bite our tongues and accept the fact that sooner or later, all films are going to be in this clearer than the naked-eye format, while others are finding it difficult to watch with a jarring clarity.  48fps is dramatically quicker than what our eyes are used to and while the picture quality in still frames look monumentally better, the clarity does not come without a price. Even if the film is shot in the more standard "cinematical" format, film companies are upgrading to a higher picture quality.  While the picture quality is undoubtedly gorgeous, it enhances flaws just as dramatically as it does perfections.  Wrinkles that we wouldn't see in person are now glaring at us in the face, and hairs beneath pores are now seen on an insanely large scale. Without going into the details about these enhancements making everything look like a Daytime Soap Opera, I'm concentrating on the one thing that will affect the world of horror movies more than any other film genre.  Practical FX. 

Ever since films fell in love with the quick and cheap process of using CGI effects, the incredible art form of practical effects in films have taken a back seat.  Blood and guts have gone digital, and movie monsters look faker than your sister's prom date.  People have become so absorbed with their new fangled hi-def flat screens, that we're globbering up enhanced films quicker than they're coming out.  That's not to say that I'm not for the progression of film quality, because I'm completely for it.  However, comma, enhancements aren't always for the best.  Have you ever looked at your skin under one of those 15x mirrors?  Suddenly you're spending hours prodding pores, plucking hairs, and applying more makeup. HD and higher FPS formatting do somewhat of a similar thing when it comes to film.  It takes something that already looks pretty good, and enhances absolutely EVERYTHING.  I mean EVERYTHING.  It's nearly impossible to hide imperfections in these formats because we ourselves cannot see these imperfections with our naked eye.  It's only after things are enhanced that we think "Christ, do I really look like that?"  For practical effects, this is a death sentence.

As someone who only recently stepped into the HD scene, I've never really noticed the issue.  This past May was the first time I've ever owned a flat screen TV, and it was also the first time I've ever had a blu-ray player.  Call me behind the times all you want, I prefer "broke-ass college student," if I may.  Moving on, the past week I have been finally able to experience Netflix Instant Watch (again, broke college kid) on a 52 inch LCD flatscreen with amazeballs picture quality.  Forgive my ignorance, but as I am not an AV girl, I'm just going to refer to the hyper-realistic clarity as "super HD".  I first watched Pontypool in "super HD" and it was a walk in the park.  The only real special effects were vomiting blood and I didn't have any gripes with it.  Looking at a man's five o' clock shadow in HD however, a little strange to get used to.  Simply out of pure boredom, I watched the final installment of the SAW franchise.  I was curious to see how such an effects driven film was going to do in such a HD setting, and my worst fears were realized.  I commend the people behind SAW 3D for the amount of practical effects used in the film.  Seriously, there were a butt load of practical kills and I was pleasantly surprised to notice.  I never noticed them when I saw the film in theaters, probably because the theater didn't look like this.  It's a theater. It looked cinematical and in a completely different format.  When I watched the film again in "super HD", everything looked so...fake.  Everything looked completely unrealistic and the already over the top kills weren't scary, they were distracting.  The worst was by far the "skin grafted onto the car leather" scene, but every single practical kill looked horribly amateur.

At first I thought it was a fault of the FX artist, but the more I thought about it, the more I realized...it's not.  It is absolutely, 100% not the FX artist's problem that their work looks fake in HD.  Now, before anyone starts to badger me about this, let me explain.  You see, these clarity enhancements make pictures crisper than what our eye can see naturally.   The visual enhancements are done in post-production, after the FX have already been completed and shot.  How can we hold an artist accountable for something completely out of their control?  It would be insane to blame an FX artist for bad coloring when it's physically impossible for them to see their work any clearer than what their eye can give them.  If the FX look fake, filmmakers are going to opt for CGI.  Not only is CGI much cheaper, but if practical FX look as tacky as CGI, filmmakers are just going to go for the cheaper route.  This is a tragedy.  An honest to goodness tragedy.  The only real practical FX that seems to break the mold is The Thing, but that film defies all logic and reason on its own.  Again, let me restate that I'm not against the progression of visual quality, but maybe, just maybe we don't need to get this clear with EVERY film.  In the same sense that we're never going to have a need for What To Expect When You're Expecting 3-D, I don't think we need horror requiring practical FX in 48fps or in ridiculously high picture quality.  It could always just be my special eyes, but I'd love to hear your thoughts on the subject. I've already heard people telling me that this issue can be fixed by changing a setting on the television, but even after making this change, the HD still made some practical FX look like muff cabbage.  Tell me what you think and comment below!

WOMAN OF THE WEEK: REBEKAH MCKENDRY

When it comes to women in horror, it doesn't get much more impressive than Rebekah McKendry.  As the current Director of Marketing for Fangoria magazine, Rebekah McKendry is living proof that bad-ass horror fans come in all forms, vagina included.  Rebekah wasn't always the horror professional.  Before she hit it big with Fangoria, she had a full-time position as a public school teacher. McKendry taught film and English at a high school just outside of Washington, D.C.  Unfortunately, teaching wasn't for her and she sought out to find her true calling.  After moving to New York City, Rebekah found herself working for the New York Horror Film festival.  She would meet many staff members of Fangoria in this process and began to work part-time for Fangoria Radio as a researcher.  Working her way through a number of different positions including writing and assistant producing, she became the Director of Marketing.  As the DM, she works with cross promotions, sponsorships, advertising, conventions, fan relations, and merchandising, just to name a handful of her responsibilities.  To top it off, while doing all of this, she's still a contributing writer.
 
With a B.A. in Film, Master's in Media Education, Master's in Film, and is in progress for a PhD in Media and Film, (that makes her soon to be Dr. McKendry for those playing at home) Rebekah has more than proven her street cred as a film guru.  Her personal musings can be found on her blog on the Fangoria site is called Bekah’s Confessions, and she's contributed to many books as well.  This past April, Rebekah McKendry had been selected as a new host of the popular horror web show INSIDE HORROR, joining the ranks of current hosts Elric Kane and Staci Lane.  As a producer, writer, director, and show host, Rebekah McKendry has achieved what just about every little horror girl has always dreamed of.  She has found a way to work within the medium that she loves, and is respected for it.  Rebekah McKendry is a force to be reckoned with and one of the queens of the horror journalism world.  No one does it like Rebekah McKendry and she has truly paved the way for female horror writers/journalists to come.  We at Day of the Woman salute you.  

TERRIBLE POSTER TUESDAY: TEXAS CHAINSAW MASSACRE 3-D

Texas Chainsaw massacre superfans are a breed unlike any other in the world of horror fandoms.  Seriously, those that belong to "The Saw Is Family" way of life fit right in with the Buffy shippers and Whovians.  I have been trying my hardest to keep myself as free from knowledge about this remake/reimaging/reboot/rewhatever so I can give it a fair view when it releases, but I cannot prevent the furious littering of superfan tirades from appearing on my social networking news-feeds.  Ladies and germs, this is how I was introduced to this absolutely treacherous advertisement.  The worst part about this poster is the fact it exists alongside this absolutely beautiful poster.  It's painfully obvious that whoever in charge of marketing only wanted to dish out the cash for one of the advertisements.  While one poster was brilliant and enticing to look at, the other was a rehashing of a poster we've seen about ten million times before it.  To put it simply, this is painfully generic and not worth a bead of ass sweat on the taint of the TCM franchise. 

The complete and utter lack of originality is first and foremost the most offensive aspect of the entire poster.  The solid color background, bright red font, and half shown image of someone from the chest down facing away from the camera wielding a weapon has been done more times than a "shoot them in the head" line in a zombie film.  Not only that, but the dramatic lighting that somehow reflects in the wrong part of the weapon in comparison to where it shadows the person holding it is another trend that needs to quickly end.  It's absolutely infuriating to try and have hope for a remake when it is already setting the tone that it will follow the same path as all of the horror movie remakes that have come before it.  Amateur, generic, and disappointing.  The man with the chainsaw appears to be more of a rough and tumble lumberjack than Leatherface, a very edited Leatherface.  Seriously, this image has gone through more filters than a girl with an acne problem on instagram. Everything looks unnatural and a bit too staged for my liking. 

Let's take a side step for a quick second and discuss that God forsaken font.  My god.  This font is to horror movies what Helvetica is to hipsters.  WHY?!  Why must every. single. horror. movie. poster. use. the. same. damn. red. font?! WE GET IT. IT'S A HORROR MOVIE. THE RED SYMBOLIZES BLOOD. WAH WAH WAH. Show some damn creativity!  Show me something that isn't in all caps, show me something in green, show me anything than this damn font in red lettering in all caps!  It wouldn't be nearly as bad if the film didn't use the same font as the SAW franchise, you know, because the word "saw" is in "chainsaw" and that makes it all the more obvious that the graphic designer is ripping off another film.  Coming from the same producers or not, using the exact same font is incredibly lazy.  Now some may try to write it off as a "strategy" to elicit the same emotion by viewing it as audiences would see with the SAW posters, but I don't buy that. It's lazy marketing. Lazy. Lazy. Lazy.

Plastered in tiny font and quite ill-placed is "Buzz. Kill."  Presumably, this is the tagline.  The amount of face in my palm is unmeasurable.  When I read this tagline, my only response is one similar to Peter Griffin on Family Guy whenever he is forced to listen through anything from Buzz Killington.  I know that the audiences of today tend to be a bit stupid (I mean, they'd have to be to crank out that much money for Twilight and only a fraction of it for DREDD) but don't insult the fine folk.  Everyone has at least HEARD of The Texas Chainsaw Massacre.  Don't insult our intelligence, and please don't take tagline advice from people who write jokes for Laffy Taffy candy wrappers.

Despite popular belief, I've noticed that it's pretty easy to judge a film by it's poster.  There are always exceptions, but the rule of thumb tends to be that a shitty poster will accompany a shitty film.  Now, I am going to go into this film expecting less than I would from a four year old not whining in a grocery store, but this poster did not change my already preconceived opinion.  If anything, I'm now going to be heading into that theatre even more weary as I originally intended. Damn it.

ZOMBIE, ILLINOIS: SCOTT KENEMORE RETURNS WITH HIS BEST NOVEL YET.

No stranger to Day of the Woman, zombie expert, Scott Kenemore is at it again with his second zombie novel centered around a midwest outbreak.  Scott Kenemore is the author of the Zen of Zombie-series of humor/satire books, and the novel Zombie, Ohio.  A graduate of Kenyon College and Columbia University, Scott is a proud member of the Zombie Research Society and the Horror Writers Association.  When he's not writing,  Scott is a Chicago Drummer and is the drummer for the musical band The Blissters.  Scott has discussed zombies on the Fox News Channel, National Public Radio, Martha Stewart Living Radio, The Alan Colmes Show and other esteemed news outlets.  His books have been written about in the Chicago Tribune, Huffington Post, Hartford Courant, Indianapolis Star, Cleveland Plain Dealer, USA TODAY, Rue Morgue Magazine, Fangoria, Gawker.com, BoingBoing.net, AOL News, and the New York Times “City Room” blog.  He's even such the zombie expert that he's been been asked to discuss zombies and horror-writing at conventions like Comic-Con International, Spooky Empire, and ZomBcon.

Zombie, Ohio was the first zombie novel that we had seen from him after his Zen of Zombie satirical book series, but Zombie, Illinois has taken his writing skills to an entirely new level.  The novel has three narrators-- a twenty-something Latina rock drummer in an all girl band, a thirty-something male political news reporter, and a sixty-something African American pastor. Zombie, Illinois follows these three characters as they interact with one another, fight zombies, and negotiate the difficulties of the first 24 hours of a zombie outbreak in Chicago, Chicagoland, and greater Illinois. Many of the themes and locales are drawn from Scott Kenemore's own experiences (being a drummer in Chicago bands, working in the media, and working for six years with community-improvement organizations in African American neighborhoods on Chicago's South Side).   

The most interesting thing about Kenemore's writing style is his ability to generate very different voices for each of his characters, while still maintaining his own style of writing.  Obviously the language between a girl in a band called "Strawberry Brite Vagina Dentata" is going to be far more vulgar than an African American pastor working in the slums of the South Side of Chicago.  Somehow, he manages to retain a sense of fluidity and the book flows seamlessly between the three different perspectives.  The characters are likable from very different corners of perspective, and everything feels very...real.  One of the easiest mistakes to make with a zombie novel is losing touch with reality, which is something Kenemore never does.  He has produced a zombie novel that is able to frighten, thrill, and entertain without ever becoming campy.  

Any Chicago native (or anyone who has ever visited Chicago) will be sure to enjoy all of the little homages that the book throws to us Windy City dwellers.  Kenemore has written a novel about zombies, yes, but the underlying exposition on the beating heart of Chicago is thrown right in our faces.  He has truly captured what it means to be a Chicagoan and what makes us different than any other city on the planet.  "West Coast, East Coast, how about NO COAST." He really did his homework with mentions of cities outside of Chicago, including a little nod to my overzealous religious city of Zion, Illinois just north of Chicago.  

The fact that Kenemore doesn't receive as much praise or notoriety as say, a certain zombie author with a very famous filmmaking daddy, is incredibly frustrating.  Kenemore has tapped into the human condition, underground issues in society, and of course, the zombie phenomena. The world in which is characters reside is one that is very, very convincing.  While reading Zombie, Illinois, it never once feels out of the ordinary and everything resembles how a zombie apocalypse would actually happen.  To put it simply, Zombie, Illinois is one of the most entertaining and realistic zombie outbreak novels in a very long time. 

You can purchase Zombie, Illinois on Amazon 

HERE 

or 

You can try to win one of the two copies I've got for giveaway by sending me an email 

at BRITTNAHJADE@GMAIL.COM with 

"I LOVE CHICAGO ZOMBIES" in the title